Posted in Book launches, Book promotion

Author Readings: Purposeful or painful?

Ah, the pain of the author reading...

Last week someone asked me if I’d consider taking part in an author reading event featuring my new book. If someone had asked me this question twenty years ago when I first started shopping books to publishers, I would have been flattered.  I would have jumped at the chance.  However, many years of writing and publishing experience later have left me a bit dubious about these events.   And discussing these kinds of events with
other writers does little to disabuse me of the notion that they are largely a waste of time – depending on your objective.  So, what precisely are the possible objectives of an author reading in public?

From a publisher’s point of view there is only one bottom line objective, and that is the bottom line. Their objective is to sell more books. Publishers seem to believe that putting an unknown author in front of twenty people will result in massive book sales.  Given the effort involved in doing a reading and the sales potential from such a small audience, one has to question the wisdom of this approach.  Keep in mind, though, that there is no effort on the part of the publisher – only on the part of the writer and the organizers.  And in fact, in Canada, the Canada Council for the Arts even offers grants to publishers for readings. Who knew?

From a reader’s point of view, it’s a free night (or afternoon) of entertainment.  Sometimes there are refreshments and often there will be like-minded people attending.  Sometimes readings are at bookstores, sometimes they’re in libraries or other related public spaces.  When I was in New York city in July, I visited a gargantuan bookstore on Broadway where they had a more or less permanent dais and chairs set up for readings. Only in a large city would you ever see this!  But, is an author reading really “entertainment”?

My most recent experience of doing a reading was at a “literary festival” where a number of authors would take part in workshops and do readings.  This particular afternoon when I was scheduled to read from my memoir (it was about one month pre-publication at the time), I was on the agenda after three others reading from their varied recent books.  What can I say?  At the risk of being lambasted by fellow authors, my only conclusion that (painful) afternoon was that writers are crappy speakers.  To say I was appalled would be an understatement.  One after the other they took to the stage and monotonously read.  Every single one of them.  It was all I could do to stay awake.

A couple of weeks ago, there was a piece in the Globe and Mail titled “The season of readings is upon us, let the misery begin.”  It was delightful to see that I am not the only one who cringes at the thought of authors reading from their work.  Douglas Bell who wrote the article quotes Irish author Aidan Higgins.  He says it so much better than I could:

“There’s nothing more calculated to cause a gritting of the teeth, a shudder of the spirit or even a rising of the gorge than to be voluntarily confined in a Function Room to endure an hour-long ranting by the author in person, of predigested matter now regurgitated, delivered in a monotonous drone. It is enough to make a cat laugh or a dog throw up.”[1]

[I beg you to click through and read the article – If it doesn’t make you laugh out loud, you have less of a sense of humor than I do.]

I’ve been teaching and doing public speaking for many years.  I’ve taken the time to hone my skills and it was clear when I came to the podium and began speaking about my writing and then reading, that this was a breath of fresh air for the audience.  They couldn’t get to me fast enough after the readings were over to tell me how much they enjoyed the presentation.  But sell books?  LOL.

When you spend so much solitary time with your work as writers do, I think it can be fun to share it with a live audience.  But if you are a crappy speaker, just back away.  Please.  The fact is that unless you’re a celebrity to begin with or have a rabid following from previous books, the reading will not sell many books.  And if you already are a celebrity or have a fan base, they’re going to buy the book anyway.  So, the reason to do it has to be more than to sell books.

So, here are my tips for doing an author reading:

  • Don’t focus on selling books.  Just focus on connecting with live people.
  • Prepare. Take the time to consider what you’ll say to put your reading into
    context for the audience.
  • Consider your presentation skills.  If you’re not a good presenter and can’t make your work come alive for the audience, either get some coaching or just don’t do it.
  • For the love of god, don’t drone on and on.  Or you’ll have to carry a gun – to put the audience out of their misery.
Posted in Book launches, Book promotion, Memoir

The “book launch”…what the heck?

APV book launch
A Book Launch

So…it seems that my approach to book proposals was on target.  That first publisher, way back when, actually liked the proposal and said she’d be interested in publishing.  But, here’s the catch: she needed to see the complete manuscript.  I had to admit that this seemed like a reasonable request since I had a very limited track record as a writer at that time.
So, I buckled down, got to work and completed the manuscript.  The good news for me was that this was the last time I had to do that.  For the next eight books, I was offered contracts based on the proposal only.  In the end, that first book was accepted and published.  Then, what was supposed to happen?

This week I’ve been thinking about that very question as I introduced a colleague at the launch of his new book last week.  The book is Media Mediocrity: Waging War Against Science.  I introduced the author Richard Zurawski then sat back and thought about what an author expects from a book launch.

When I held my first book in my hand all those years ago and looked at the cover, I had so many expectations.  I recall thinking that a book launch ought to “launch” the book into the marketplace. Sounds reasonable, doesn’t it?  But the real purpose of the book launch is this: to celebrate a singular accomplishment.

I’ve had a few book launches in my day.  My first book resulted in a reception at a hotel with numerous invited guests.  Oh, I forgot to mention – unless your name starts with “O” and you have no need for a last name, you will probably have to pay for that book launch yourself.  Yes, you’ll talk about your book, maybe even read from it if anyone wants to listen.  You’ll sign and sell a few books, but remember that it’s really a party.

My favorite book launch happened two years ago when I launched my memoir Another Pointe of View: The Life and Times of a Ballet Mom (Dreamcatcher Publishing).  The most personal of all the books I’ve ever written (or am likely to in the future), the book tells the story of my journey on the periphery of the work of the elite ballet dancer.  The ballet dancer in my life happens to be my son who is now 22 years old and dancing in Europe with Les Ballets de Monte Carlo.

Book launch entertainment

I knew that I’d like to celebrate the book, so I had to find a way to interest people beyond my family and closest friends.  That’s when it struck me: if they won’t come to learn about a book (not a lot of people actually attend book launches as a part of their regular social calendar), I knew that they’d come if I invited my son to get on an airplane, bring along a colleague and dance for us at home – something that he had not done since his early training: he left to attend Canada’s National Ballet School at the age of eleven.

On that beautiful spring day, Mother’s Day to be exact (a book about mothering seemed a brilliant fit time-wise), Ian and his partner Nikki danced for us and they came in droves.

A successful book launch just takes a bit of creative planning – and a willingness to pay the bills.