Posted in Book launches, Book promotion

Author Readings: Purposeful or painful?

Ah, the pain of the author reading...

Last week someone asked me if I’d consider taking part in an author reading event featuring my new book. If someone had asked me this question twenty years ago when I first started shopping books to publishers, I would have been flattered.  I would have jumped at the chance.  However, many years of writing and publishing experience later have left me a bit dubious about these events.   And discussing these kinds of events with
other writers does little to disabuse me of the notion that they are largely a waste of time – depending on your objective.  So, what precisely are the possible objectives of an author reading in public?

From a publisher’s point of view there is only one bottom line objective, and that is the bottom line. Their objective is to sell more books. Publishers seem to believe that putting an unknown author in front of twenty people will result in massive book sales.  Given the effort involved in doing a reading and the sales potential from such a small audience, one has to question the wisdom of this approach.  Keep in mind, though, that there is no effort on the part of the publisher – only on the part of the writer and the organizers.  And in fact, in Canada, the Canada Council for the Arts even offers grants to publishers for readings. Who knew?

From a reader’s point of view, it’s a free night (or afternoon) of entertainment.  Sometimes there are refreshments and often there will be like-minded people attending.  Sometimes readings are at bookstores, sometimes they’re in libraries or other related public spaces.  When I was in New York city in July, I visited a gargantuan bookstore on Broadway where they had a more or less permanent dais and chairs set up for readings. Only in a large city would you ever see this!  But, is an author reading really “entertainment”?

My most recent experience of doing a reading was at a “literary festival” where a number of authors would take part in workshops and do readings.  This particular afternoon when I was scheduled to read from my memoir (it was about one month pre-publication at the time), I was on the agenda after three others reading from their varied recent books.  What can I say?  At the risk of being lambasted by fellow authors, my only conclusion that (painful) afternoon was that writers are crappy speakers.  To say I was appalled would be an understatement.  One after the other they took to the stage and monotonously read.  Every single one of them.  It was all I could do to stay awake.

A couple of weeks ago, there was a piece in the Globe and Mail titled “The season of readings is upon us, let the misery begin.”  It was delightful to see that I am not the only one who cringes at the thought of authors reading from their work.  Douglas Bell who wrote the article quotes Irish author Aidan Higgins.  He says it so much better than I could:

“There’s nothing more calculated to cause a gritting of the teeth, a shudder of the spirit or even a rising of the gorge than to be voluntarily confined in a Function Room to endure an hour-long ranting by the author in person, of predigested matter now regurgitated, delivered in a monotonous drone. It is enough to make a cat laugh or a dog throw up.”[1]

[I beg you to click through and read the article – If it doesn’t make you laugh out loud, you have less of a sense of humor than I do.]

I’ve been teaching and doing public speaking for many years.  I’ve taken the time to hone my skills and it was clear when I came to the podium and began speaking about my writing and then reading, that this was a breath of fresh air for the audience.  They couldn’t get to me fast enough after the readings were over to tell me how much they enjoyed the presentation.  But sell books?  LOL.

When you spend so much solitary time with your work as writers do, I think it can be fun to share it with a live audience.  But if you are a crappy speaker, just back away.  Please.  The fact is that unless you’re a celebrity to begin with or have a rabid following from previous books, the reading will not sell many books.  And if you already are a celebrity or have a fan base, they’re going to buy the book anyway.  So, the reason to do it has to be more than to sell books.

So, here are my tips for doing an author reading:

  • Don’t focus on selling books.  Just focus on connecting with live people.
  • Prepare. Take the time to consider what you’ll say to put your reading into
    context for the audience.
  • Consider your presentation skills.  If you’re not a good presenter and can’t make your work come alive for the audience, either get some coaching or just don’t do it.
  • For the love of god, don’t drone on and on.  Or you’ll have to carry a gun – to put the audience out of their misery.
Posted in Book promotion, Book trailers, Fame

Book trailers (Part 2): What’s the point?

Perhaps the trailer for my new book Grace Note that I posted in part 1 of this book trailer discussion is the only one you’ve ever seen.  But take my word for it: there are thousands for book trailers around.  Just visit booktrailers or book trailers for readers or book screening  to see what I mean.  And that’s just the tip of the iceberg.  But the question still remains:  Is there a point (or bottom line enhancement) to this new addition to the book marketers’ strategies?

I did a bit of empirical research on this question.  Sound impressive?  I posted a couple of questions on a couple of book sites to ask these avid readers if book trailers ever influence their book-buying.  The general theme of the comments was a resounding “no.”  A couple of responders, though, did suggest that book trailers might influence their selection of non-fiction more strongly than fiction.  Perhaps that’s because it’s perceived that a book trailer might provide some information that would help you to see what’s inside the book like we used to do when we all browsed bookstores.  However, with those nifty “see inside the book” options on web-based bookstores, we already get that experience.

As hard as I’ve tried, I have been unable to unearth any credible stats on the success (or lack thereof) of book trailers in promoting new books.  There are vague references to engaging younger readers such as teens by using this visual medium via YouTube, and further references to placing book trailers into movie previews in theaters, although I would wager a guess that this would likely confuse the audience.  Is it a movie?  Is it a book?

A 2008 article in the industry publication Bookseller discussed how book publishers were at that point finally becoming aware of the potential of social media in selling books.  At that time, author Hannah Davies suggested that, “Publishers are starting to prove their online credentials, despite initially lagging behind other creative industries in the development of user-friendly and content-rich websites.”[1]  That lag in the book selling industry doesn’t surprise me much given my 20+ years of experience as an author within the traditional publishing industry.  She quotes the results of a study by the PR firm Fleishman-Hilliard who studied the buying habits of 5000 people and concluded that “…the internet has eight times the impact of traditional print media on the average consumer’s buying decisions.”  That’s interesting and probably sufficient
rationale for using web-based marketing, but it still doesn’t support book trailers per se.

It seems that the publisher Wiley was one of the first to use videos to promote books by posting an early  series of videos on YouTube to support its business and personal development titles.  This might be the reason that one of the responders to my informal survey indicated that she might buy a non-fiction book while another one said that she didn’t even know there were book trailers for fiction.

The frustrating thing about the issue of book trailers is that although they’re fun (and fairly easy to produce) there is no evidence that they actually contribute materially to the success of a book in the market place.  When asked if they are cost-effective, it seems that publishers point to the relatively low cost of a book trailer as part of an essential online publicity campaign, regardless of its effectiveness.[2]

All of this has gotten me thinking:  I think I’ll develop a book trailer for my book Ethics in Public Relations: A Guide to Best Practice the second edition of which was published by Kogan-Page in the UK in 2009.  Should be a real blockbuster, don’t you
think?

Posted in Backstory, Book promotion, Book trailers, Reading

Book trailers (Part 1)

Everyone has an opinion about movie trailers.  If the trailer is foisted on you without your consent at the beginning of a movie in a theater, and it’s a genre you hate, you probably don’t hold a high opinion of trailers.  On the other hand, if you actively seek out movie trailers on sites like YouTube, you’re a fan.  And then don’t get me started about movie trailers that show you the only interesting/funny/scary parts of a movie you hope will be interesting/funny/scary only to find out (after paying to see the movie) that those were the only interesting/funny/scary bits in the entire film!

With all of that in mind, I’m fairly certain that you are not quite as familiar with book trailers since they are a relatively new phenomenon.  As you might have figured out, a book trailer is a short video clip that presents a small sample of a book in a similar format to that of a movie.  As a reader, when I first heard about book trailers I thought that the concept was odd.  After all, isn’t part of the attraction of reading its ability to trigger readers’ own internal imaginative processes to create their own internal visual interpretations of characters, places and environment?  At least that’s how it works in fiction – non-fiction is another story.

A book trailer, then, although intended to entice us to read the book, seems to give the imaginative reader too much outside opinion of the visuals that a writer wants a reader to develop for him or herself.  However, in my view, that depends on the visuals presented and on whether or not there is narration or only titles.  In my mind, titles are more genuinely connected to a book (after all, we read a book, we don’t watch a book – that would be a movie.  Sometimes we listen to an audio book, but then we still create our own images).

This leads me into my backstory for this week.

My new book, Grace Note, (Grace Note US version) whose full backstory is interesting, is just out and the book trailer, a seemingly de rigeur part of book marketing in the cyber age, is now live.

Next week we’ll talk about the effectiveness (or lack thereof) of book trailers to entice readers to buy and read books.