Backstory Blog

Posted in Grammar, Writing

Mourning the death of the adverb

“Think different.”  Apple ad

“Drive safe.” Everywhere

“Eat healthy.” So many ads.

“Come quick.” What everyone seems to be saying

grammar copyMost writing style gurus who mourn the passing of the adverb seem to do so on the basis that we’ve been told to eliminate adverbs and adjectives from our writing.  I, on the other hand, see the death of the adverb not as death-by-overuse, rather death-by-misuse.  In other words, the way I see it, adverbs are only dying because so many people are grammatically challenged: they seem to think an adjective will work when and adverb is required. Or you change the meaning of a sentence.

I’m not a stickler for precise grammar in every instance if breaking the rule adds to the meaning: sentence fragments, for example, can be used for effect. Really. And beginning a sentence with a conjunction…well, sometimes it works given the pacing you’re looking for. (How about that preposition ending a sentence there?) However, when a grammatical mistake seems to muddy the meaning – making it impossible to avoid miscommunication – then it needs to be fixed.

Here’s are some particularly egregious examples that illustrate the trend:

  1. When Apple started using as an advertising tagline the exhortation: “Think different,” precisely what did they mean? Did they mean that our thinking should be different?  If so, then it should say think differently.  If they mean that the thoughts that we think should be different from previous thoughts, then that is a nuance of difference.  They should have said, “Think different thoughts,”  or maybe even, “Think something different,” different then being the adjective modifying “something.” There is a difference between the thinking process being different and the outcome – the thoughts – being different.  Although I’d accede to the fact that these two may be related.  And, oh, it just sounds bad. Not badly.
  2. Then there’s the “Drive safe” exhortation. If one more person says that to me as I leave somewhere to get into my car, I just might smack that person. The advice is for me to “drive safely,” or just shut up.
  3. And what about the “eat healthy” catchphrase? Isn’t there something missing here? Eat healthy what? Eat a healthy dinner? Snack? Oh, or do you mean to heat healthily in general? The meaning is as clear as mud.

Every day I mourn a little when I hear those radio advertisements that are rife with grammatical errors – and the loss of the adverb seems to be the most common. Is it really so difficult to figure out what you want to say and then say it clearly? NOT clear!

Posted in Writing, Writing books

Fact & Fiction: The perils & pleasures of writing in multiple genres

I am a hybrid writer – in more ways than one. These days the term hybrid – when applied to writers – often refers to those who have published via the traditional publishing route as well as taken matters into their own hands and self-published. That’s a recent moniker. I’ve been a hybrid writer for years – I write across genres and have been doing this almost since the beginning. It has its ups and its downs.CCI04232015

I started my writing career as a medical writer. Skills honed in that genre took me into medical communication which morphed into communication in general – most of my distant past work has been writing about health and corporate communication.

But, I’m a writer. I am not a content creator. I am not a dabbler. To me this means that I can use my skills to write anything that takes my fancy. With a secret adolescent desire to be a novelist percolating in my adult brain, I decided to move into creative non-fiction and wrote a memoir. I then realized that my extensive experience in doing background research on a variety of subjects could be put to good use if I tried my hand at writing in a genre that I loved to read: historical fiction.

As it turns out, meticulous research skills, honed in the areas of non-fiction, have been enormously useful to me in moving into historical fiction. Story-telling is also a strength that many of us have – it’s a skill that is important both to non-fiction (creative or otherwise) as well as to fiction writers.

option-1Another way I think about the concept of “writing across genres” is the notion that there are discrete categories of writing and to create a mash-up, to use the current parlance, is to create a cross-genre genre. Make sense?

My interests in strong female characters, whether they are real people whose lives I’m writing about or historical figures woven into the fabric of a novel, also led me to an interest in contemporary women’s fiction. But traditional chick lit, with all of that entertaining silliness (not to mention their dumb covers) isn’t really my strong point, so I mashed up my interest in travel writing and chick lit to write a novel that is a bit chick lit that also presupposes a certain level of intelligence in the reader – and that includes a serious dose of a foreign setting that was researched thoroughly by both visiting the place and doing background digging. So what have I learned?

I have learned that there is a significant degree of pleasure for me to write in areas that use both my talents and my interests. I truly believe that this cross-writing has improved my writing overall. But it comes at something of a price – at least it is a price if you believe what it seems most everyone else is writing online about changing genres.2013 raven front cover copy

The loudest argument against this kind of movement seems to come from those for whom the main objective of writing is to sell books rather than to write them. I wonder what Ernest Hemingway, Leo Tolstoy, Daphne DuMaurier (my personal favourite) or even J.K. Rowling would have written if they had focused on what they thought readers wanted rather than on what they were compelled to write? Maybe nothing.

The new digital universe means that everyone of us can be a “published” writer. But the truth is that no matter what motivates us to write, most (almost all) will never make a living from that effort. Just accept that and keep writing.

As far as I’m concerned, focusing on continually improving your writing and pursuing the kind of writing that you want, regardless of how many different genres you choose, are the two elements of a happy writer. If the work is meant to become wildly successful, with a little effort in promoting to interested readers (no other desperate writers) it may indeed be successful. Even that “50 Shades of…” writer didn’t set out to please readers first. She set out to please herself.

Here’s to writers pleasing themselves!

Posted in Book covers, Genres, Publishing, Self-Publishing, Uncategorized, Writing

The dumbing down of ‘chick-lit’

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I already know what ‘serious’ writers are going to say: chicklit is ‘dumb’ by definition. I beg to differ; however, I also think that the derision isn’t entirely without foundation. My own reading and writing habits have led me to this conclusion. But let’s start in broader terms to address the question of whether writing and the literature that is the result has, overall, suffered from the dreaded ‘dumbing down.’ Many believe so.

In a 2015 piece by Stephen Carter, a Blomberg View columnist (he also happens to be both a law professor at Yale and a novelist), he quotes prominent science fiction writer Ursula K. Leguin who refers to what she sees as the twenty-first century formulaic creation of best sellers in this way: “The readability of many best sellers is much like the edibility of junk food…I believe that reading only packaged microwavable fiction ruins the taste, destabilizes the moral blood pressure, and makes the mind obese.”[1]

Of course she refers to the influence of Amazon and its well-pondered algorithm for determining best-seller status. Carter, however, isn’t buying it. He believes that perhaps a more important part of the issue is that readers’ tastes have changed; attention spans are shorter. Perhaps we have done it to ourselves. But others take a different view.

There is much grumbling in the ‘serious’ writers’ communities about the perceived negative impact of self-publishing on current literature; there is a significant sentiment (not held by all self-described serious writers, I might add) that it has been the proliferation of unedited self-published books that has had the most serious effect.

One online writer has suggested that “with self-publishing it seems like the editors have all disappeared. Ten or more books on recent New York Times Best Sellers List are there because the millions of fanboys and fangirls have bought their hero’s book…maybe the bar is set a bit too low.”[2]

So there seem to be two issues that people consider to be characteristics of ‘dumbed-down literature.’ The first one (and a big one for people like me who have taught writing over the years) is the issue of actual command of the language including grammar, syntax, spelling, word choice and all those things that our English teachers tried to inculcate in us over the years. The second one is the substance – or lack thereof – of the books that are popular today.

In my view, the truth is that quality writing can be practiced in any genre from literary fiction to popular erotica and everything in between. The topic seems secondary; if you’re passionate about writing it, you’re good at it, and your readers love it (or at least the first two if your readers haven’t found you yet), then I say write on. Even if what you write is derided by some as merely ‘chick lit.’

In general, the term chick lit means any literature that appeals mostly to women. So, what’s wrong with that? Does that make it dumb? If chick lit is dumb, then women are dumb by extension. Don’t say that to my face. But has even literature aimed at women been dumbed down? I have a personal hate on for many pieces of chick lit and it isn’t for the reasons you might think.

In my view, women are infantilized by their chick lit not so much by the stories or the writing, but byu the covers. Have you looked at any lately? I’ve been examining them as we contemplate the design of my new book which is women’s fiction. Is this really how women see themselves?

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Need I say more?

 

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Okay, just a bit more!

 

 

Well, I’m a smart woman and I write #litforintelligentchicks. In fact, I love to read chick lit, but I can’t get to your really great story if I feel infantilized by the dumb cover – whether it’s an illustration or a stock photo depicting a sweaty clinch and a few bits of a six-pack.

Okay, my rant is over. Back to the drawing board for that new cover.

Sources:

[1] Stephen L. Carter. June 11, 2015. Don’t Blame Amazon For Dumbing Down Literature. Bloomberg View. https://www.bloomberg.com/view/articles/2015-06-11/why-ursula-k-le-guin-s-amazon-pan-is-only-half-right

[2] Self-publishing and the Dumbing Down of Literature. http://www.dailykos.com/story/2015/11/21/1452940/-Self-Publishing-And-The-Dumbing-Down-Of-Literature