Posted in Book titles, Writing books, Writing craft

5 tips for choosing better titles for your writing [books, blog pieces, articles, short stories]

What is the one thing that all forms of writing―any fiction genre, nonfiction trade books, academic and professional books, magazine articles, newspaper stories, blog posts―have in common besides, of course, the fact that they all contain words? They all have titles. And those titles are essential for you as a writer if you expect anyone to read what you’ve written.

My question is this: how do you choose a title for an individual piece of your writing? How does any writer? There’s no easy answer to this because writers are inspired by various factors when choosing titles. But those titles are, arguably, the most important promotional tool you have in your toolbox.

After spending almost three decades in the academic world, reading (and writing) academic papers), I’m here to tell you that I’ve seen more hideous titles than you can ever hope to see in your life. Academics are the absolute worst. They seem to think that complicated, densely worded, erudite-sounding titles make them sound smart. They do not. However, this problem of wanting to sound clever isn’t confined to academics. Anyone who writes for a living―or even a hobby―would do themselves a favour by reconsidering the titles they place on their work for readers’ consumption.

This week I have five tips that I’ve picked up through thirty years of writing to help you choose better titles. Here is the summary. For the complete discussion, click on the WRITE.FIX.REPEAT. video.

  1. Your title should be unique. How can you figure this out? Search for it. For books, try Amazon. For blog pieces, plug a few things into a search engine.
  2. Your title should reflect what the book/blog/article is really about. Trying to be cute or smart or something else just to be clever without really reflecting the content is just wrong.
  3. Your title should be easy to remember. Wouldn’t you like readers to be able to tell their friends the name of the book/blog/article? If it’s long and complicated, they’ll forget it. Or their eyes will glaze over (I’m talking to you academically-oriented writers).
  4. Don’t pack it with keywords. (Sometimes referred to as keyword stuffing.) This includes things such as repeating words, adding words out of context, adding irrelevant words. It’s not necessary and makes for crappy titles.
  5. Try to incorporate a hook without being overly clever. How can you know if your title is a hook? Maybe it’s easier to examine those that aren’t. For example, one-word titles, or the label title, don’t really grab readers. (Jaws notwithstanding.) What if I’d called this blog piece simply “Titles?” Would you have been as interested? If I called “Better Titles,” that would have been marginally better. But specificity that focuses on the potential reader is the best.

Believe it or not, there are online assistants for finding titles, but they are generated by AI and usually have issues. But they might intrigue you all the same.

The site Tweakyourbiz.com generates titles. It’s a bit odd, but fun, nonetheless.

Spend a little time finding the right title.

Some other resources:

JUDITH BRILES.  How to Create Titles to Hook Your Readers https://www.thebookdesigner.com/2016/02/63714/

Headline analyzer https://www.aminstitute.com/headline/

Posted in Book marketing, Writing books

An Amazon Marketing Surprise? At least a surprise to authors

A friend of mine whose blog “A Writer of History” is a must-read for anyone attempting historical fiction (or even for other types of fiction for that matter), shared what she discovered when doing marketing research on Amazon recently. M.K. Tod and I happened to be having lunch a week ago when she related to me this interesting (shocking?) discovery. It seems that Amazon isn’t a level playing field, after all, for all writers and all publishers. This shouldn’t come as a surprise to any of us, but, somehow, it does.

Read down and click on the last line to see the piece.

An Amazon discovery — A Writer of History

I suspect many of you will know this, but it was news to me. Two weeks ago, in a burst of marketing effort (actually planning), I looked at Amazon’s top sellers in women’s historical fiction. My purpose was to find comparables for a novel I plan to self publish, and from there to discover what […]

An Amazon discovery — A Writer of History
Posted in Book trailers, Books, Writing, Writing books

When a story takes over – a writer hangs on for the ride

In modern parlance, I’m what might be called a “plotter” when it comes to my writing. This is in contrast to those of you who are called “pantsers,” although I’m not sure why anyone would accept that slightly dubious moniker. Anyway, plotters plan things – characters, timelines, settings and, yes, plots. Pantsers go “by the seat of their pants” evidently. I plan.

I think my planning comes from my background as a nonfiction writer. To sell a nonfiction book to a publisher, a writer has to learn to write a dynamic book proposal. An, what is a book proposal except for a big, detailed plan? That’s what it is. So, when it comes to fiction, my tendency is to take the same approach. Up to a point.

I have a new book out this past week. I think it’s the best book I’ve ever written – but, as my mother used to say, “Self-praise is no recommendation.” Thanks, Mom. The thing about this new book is that I started out with a plan, but something or someone took over. I think it might have been Charlie. Let me introduce you to her in a minute. First, I want to talk about this writing process.

I started this book with a thin outline and an idea for a character. This character would make a discovery that would take her on a journey of discovery. I just didn’t know at the time that it would be a journey of self-discovery – for both her and for me. Charlie was supposed to be a kind of wise-cracking, sarcastic thirty-something with a penchant for seeing humour everywhere she went. Sort of like Jenn, the main character in my novel Plan B. I suppose the universe must be telling me that I need to diversify my contemporary women’s characters a bit because Charlie is not much like Jenn!

(When I write historical fiction, characters don’t seem to be wise-cracking, sarcastic women – but I suppose that’s an idea!)

As I began writing this book, it took on a whole different dimension – a whole different kind of disposition. It felt different to me as I was writing, and it looked very different when the story was out there in front of me.

Here’s what happened.

The book is The Year I Made 12 Dresses: The almost-but-not-quite-true story.

A struggling writer, an enigmatic shop clerk, an old sewing machine and an inspirational journey of discovery – where every dress is more than it appears to be.

After her mother’s unexpected death, struggling writer Charlotte (Charlie) Hudson moves into her family house after her older, mostly absent sister Evelyn instructs her to empty the family home of objects and memories to ready it for sale.

When Charlie stumbles on a dusty old sewing machine hidden away among the clutter of detritus in the basement, she has no idea of the journey it will take her on, or of the secrets it might reveal about her mother, her family and herself. If only she will let it.

With the help of an enigmatic fabric-guru named Al, Charlie discovers how little she really knows about anyone – especially herself.

So that’s it. And here’s the trailer…