Posted in Book promotion, Self-Publishing

Who will buy your book?

Someday I hope to write a book where the royalties will pay for the copies I give away. — Clarence Darrow

freeOh how I empathize with Clarence Darrow.  I cannot tell you how many books I’ve given away over the years, and these days of the hideous deluge of ‘free’ eBooks as promotional tools makes the problem even worse.  I often wonder how many of other writers’ relatives and friends actually buy their books.

My family, for example, largely feels that they are entitled to receive free copies of my books.  Well, with the most recent one, I decided that this wasn’t going to happen anymore.  Even my 91-year old mother didn’t get a copy (to be fair, I really didn’t really want her to read it – to much *sex*).  The only family member who actually received a hard copy (and that was after he downloaded and paid for an e-book) was my 25-year old son who was one of my final editors.  His keen eye and firm grasp of the English language made him an ideal beta reader for which I paid him.  The least I could do was to give him a copy of the book when he was home from London last weekend.

Should I give it away?
Should I give it away?

Then there are all those other copies we give away.  And this refers equally to my books (and your books) published by traditional publishers and the self-published ones.  These are the review copies.

There is little doubt that review copies are important, however, it can get out of hand.  In addition it seems to me these days that we need to be vigilant that a so-called reviewer does not feel obligated to be a bit less critical of a book that he or she has received gratis.  (Although some bloggers seem to think that a free book might end up as a more critical review.  Not sure why.)

When I wrote the piece When is a book review not a book review? I was thinking about these kinds of issues.  So, we need to consider carefully how many books we give away for free in the hope of acquiring a positive review.

And then there are those free book giveaways that started this rant.  There is little doubt that giving books away can help you to accrue new readers: sometimes, readers who would otherwise pass over your books might try them and like them, then return to buy future offerings.  So that seems like a good investment in marketing.  We need to be very mindful, however, that if as writers we don’t value our work, we can hardly expect others to value it either.  In fact, many readers are just as likely to troll the online bookstores seeking only free books, never returning to your work when the book is not free.  There is no actual hard data on either of these situations although you’ll find plenty of anecdotal stories extolling the virtues of giving away your work.

It would be my greatest wish that writers value their work.  I often wonder if writers who don’t value their work know in their hearts that it isn’t really that good.  There is a difference, however, between the writing a book specifically for yourself and to give away to others, and one you hope to sell.  This is the kind of book you may write simply hoping that a few others might benefit from it in one way or another.

It is quite a different matter to work hard on a piece of writing that you hope readers, unknown to you at this point, will buy, read and appreciate.  This is the kind of work that we have to stop giving away so freely.

So, fellow writers, keep a very careful count of how many copies of your work you give away and the return on that investment.  I’d love to know how it has worked for you.  Perhaps we can build a database of information.  There are marketing reasons to give your work away, but that needs to be balanced by a sense of value.  Tread carefully.

It might be worth remembering what Jules Renard once wrote:

Writing is the only profession where no one considers you ridiculous if you earn no money.”

Now I think I’ll surf over to Amazon and set up a free book giveaway and see what happens!!


For a few different perspectives on this issue, here are some ideas from other sources:

Why Successful Authors Are Giving Their Books Away for Free  http://www.huffingtonpost.com/simone-collins/why-successful-authors-ar_b_4115300.html

Why publishers should give away eBooks   http://www.roughtype.com/?p=1573

Posted in Backstory, Book launches, Book promotion

Making old manuscripts live again

An old manuscript gets a 21st century makeover.
An old manuscript gets a 21st century makeover.

Earlier this week Jennifer Alsever wrote a piece for CNN Money called “Guerrilla Marketing for Books.”  A cautionary tale for would-be authors, it tells the story of shrinking promotional budgets at traditional publishing houses and the lengths to which authors now must go to get their books to stand out from the ever-increasing numbers of both traditionally and self-published books.  The truth is, it has been ever thus – unless you are a big-name author.

One tactic mentioned in the story is of an author who commissioned a jewelry artist to make necklaces that are featured on her book’s cover as well as a new perfume based on one of her fictional characters. The amount of work and money involved for an author in doing this is staggering to consider.  This, however, reminded me of an event in the provenance of one of my recent ‘new’ books Confessions of a Failed Yuppie.  Stick with me for a few minutes!

If you’ve been reading Backstory for a few years or even months, you might have realized that the “backstory” I’m trying to tell is the anchor of my own experience in writing and publishing.  More than that, though, my objective is to explore the issues that are important to all of us who are more than passingly interested in reading – and writing.  Sometimes I rant about things that have annoyed me; sometimes I tell you a story of my experience.  Sometimes I tell you a real backstory to my writing: what inspired it, how it developed, what happened next.  This post is one of those true backstories.

In the early 1990’s I was on a rant about the Yuppie lifestyle.  So I decided to write a book about it – but rather than a non-fiction examination of the phenomenon, which would have been more akin to my writing experience at the time, I decided to write a novel – a satire of sorts.  I felt strongly, though, that I wanted it published no matter what, so I did what self-publishing authors did at that time, I sent it to a vanity publisher.  (For the working definition of a vanity publisher, you might want to surf back to last week’s post: The confusing world of 21st century publishing jargon: A glossary for writers).

In due course, a box full of hard-cover copies of Yuppie arrived on my doorstep.  What to do with them?  Those were the days before book promotion through online networking channels was de rigeur.  Indeed, there were no social media channels.  Just imagine such a world!  I decided that the first order of business would be to have a book launch.  But before the launch, I’d need some “merchandise.”

The old Yuppie cover and the mug: "I confess: I'm a failed yuppie" with a "reject" stamp!
The old Yuppie cover and the mug: “I confess: I’m a failed yuppie” with a “reject” stamp!

I created a design for the front of T-shirts and for mugs and had dozens of these pieces of paraphernalia created – all at my own expense, of course – and had them available on the day of the pary.  I also had a poster-sized blow-up of the cover of the book so that it could be the focal point of the party, next to the book-shaped cake that adorned the dining room table.  I then created a guest list and sent out invitations.

As parties go, the event was a great success.  We had door prizes of T-shirts that the guests obligingly sported and everyone went home with a signed copy of the book.

As the weeks went by, a number of the guests told me that they had enjoyed the book and when was I going to write another one?

The book, naturally enough, never sold.  Getting a self-published book reviewed in those days was not next to impossible, it was completely impossible.  And since there were no social networks available to promote it, short of taking out advertisements at great expense (I did that once) and going door-to-door with a pile of books (which didn’t sit well with my personality), the book would languish with thousands of others.  And so it did.  Until last year.

Writers have lots of finished and unfinished manuscripts hiding on their hard drives or taking up space in filing cabinets.  I know that most of us should toss most of it, but sometimes a manuscript draws us back and that’s how I felt about Yuppie.

So, I took out the hard-cover copy with its tattered edges and began to write rewrite the book.  It’s now a 21st century Yuppie story, and taking advantage of the digital advances, I decided to make it available once again.

Two decades in the making, Confessions of a Failed Yuppie lives again, and it starts with a definition of Yuppie:

 

“YUPPIE”: A Definition

Acronym for Young Urban Professional, usually occurring in a married pair (often male/female but not necessarily). Categorized as upper middle class or at least moving in that direction, ambitious, well-educated.  Characterized by excessive concerns about appearances.  Lightly narcissistic.  May have money or at least leverage.  But not necessarily. Normal habitat is the urban condo, sometimes the single-family dwelling of dubious heritage in a downtown area with a postage stamp for a yard, for which a bidding war took place prior to acquisition.  Yuppies with children often move to larger, more impressive dwellings.  Diet consists mainly of cocktails, organic kale and the latest gastronomic fad.  Would not be caught dead in a North-American-produced automobile brand.  Skis in winter, does hot yoga, plays squash (it’s making a come-back), and quietly brags all year round. Widely thought to have become extinct in the early 1990’s.  Not so much.

Maybe you’d like to read the rest.  Or not.

Posted in Book Reviews

When is a book review not a book review?

It seems simple enough. You write a book, someone reads it, likes it (or not), writes a review, and other potential readers interpret the review for themselves, deciding whether or not to read your book based on their own criteria. One of the most important factors readers might use to interpret a review is the identity – and therefore perceived credibility – of the review writer.

For example, for some readers there might be a big difference between a review written by the New York Times and one penned by Oprah (or at least endorsed by her). Or between the writer’s spouse and someone who doesn’t know that writer personally. That may be the line we cross into territory where a review is not really a review – it is an advertisement. And these are not the only kinds of ‘advertisements’ masquerading as book reviews.

There can hardly be a writer or ‘wanabe’ writer around these days who is unaware of the current book review scams visited upon readers.

In August of 2012 The New York Times published an article titled: “The Best Book Reviews Money Can Buy.” Author David Streitfeld reported on what appeared to be a newly established business model: writing book reviews for cash. He tells the story of Todd Rutherford’s gettingbookreviews.com, a business based on writing online book reviews – paid for by the writer. One of the service packages he offered was for him to write 20 online book reviews for $499. What could be better? Twenty reviews proclaiming a book to be worthy of 5 stars, the work of a literary genius. In my view, what would be better would be some honesty.

And Rutherford was merely one among myriad businesses that have been springing up all over the place to provide exactly the same service to writers desperate for sales. Quite often, the entrepreneurs offering this service are themselves wannabe writers.

But what happens when a reader finds out the truth of the review? Maybe the book is a good one; but maybe it isn’t. Readers searching for new, indie writers will soon become jaded from being burned. Buying book reviews hurts everyone.

So if a book review is not a book review when it is written for money, what about when it’s written by your spouse (or mother, or sister etc.)?

The Amazon review by a certain party whose last name is the same as mine was not penned by a relative.
The Amazon review by a certain party whose last name is the same as mine was not penned by a relative.

I was mortified when I went onto Amazon.com to see that one of the reviews (and a 5-star one at that) of one of my historical novels Grace Note was penned by someone whose last name is PARSONS. I’m quite certain that anyone looking at that would make the reasonable assumption that it was written by one of my relatives. It wasn’t. I’m just glad the reviewer liked it! The bottom line, however, is that a review by one of your nearest and dearest isn’t really a review either.

So…and here is the one where I’m going to get myself into trouble… what if the review is written by a member of your co-dependency group. These are those writing groups, usually virtual, or Twitter communities, wherein everyone gushes about everyone else’s books mostly so that when yours is published everyone will do the same. I have to admit that this really bothers me. It puts me off buying the promoted books, which is a shame for the writers. However, I just don’t trust these reviews.

I follow a number of otherwise interesting indie authors who also review books on Twitter, but I find that the reviews are always 5-star ones, or very close to it. I’m presuming that they only tweet their 5-star ones (surely there are books they dislike?), but I’d like to be directed to one that might be a 4 or even a 3 ½ star review so that I can make up my own mind. When everything is ‘awesome’, then nothing is ‘awesome.’

Let’s get back to some truth in advertising among writers and publishers. Please.