women’s fiction – Patricia J. Parsons

It’s not the first time this has happened, and it’s not likely to be the last. I find myself on an absorbing trip (because I love to travel and even write about it), and the next thing I know, the experience and the locale inspire a story. In my view, travel is one of the most inspiring experiences for writers. But that’s just me.

Two summers ago, a ten-day cross-island trip in Newfoundland inspired a book that seems to have started a new series. We Came From Away: That Summer on “The Rock” was inspired by a combination of that trip experience and the fact that my mother turned 100 years old that year. (She’s now 102!). Then, last year, my husband and I spent a month travelling in Brazil on a cruise up the Brazilian coast, into the Amazon River, and onto Miami. It seemed that the characters in We CAme From Away hadn’t finished with me yet. Now there’s a sequel: Meet Me in Miami.

February 1 seems like a great day for some armchair travel to a tropical location, doesn’t it? So, I’m inviting you along for some of that travel. Here’s the new book launching today.

What travels from your past might inspire a story … and a book?

Here’s what it’s about:

Life may not offer do-overs, but it might offer second chances.

Dr. Claire Barrett has it all. At least it seems that way to everyone but Claire. A successful doctor with two almost grown and successful children, an international reputation as one of the world’s finest pediatric surgeons, Claire at age fifty is as beautiful, stylish and driven as ever. She prides herself in making the best decisions to have gotten her where she is today. She did it all herself and from her home base in St. John’s, Newfoundland. But there is one decision that rankles. She should never have allowed Peter O’Brien to get away. She should never have agreed to the divorce. Was it her only mistake? Now she has a plan to fix that. She will win him back.

Eliza Houlihan Cohen, a New Yorker by way of Canada’s east coast, is a successful cookbook author. After years of putting up with her philandering husband Jake and his whining mother, she has finally broken free. And now that she’s met Dr. Peter O’Brien, she wonders if she might take another chance on love.

Eliza hates Miami, but when Peter asks her to take a cruise with him, ending in Miami, and she asks her daughter Izzy to meet her there for a holiday, Eliza decides she can cope. By the time her cruise through the Amazon reaches Miami, Eliza will wish she had never laid eyes on Peter’s ex-wife, Claire. The question is, though, will she feel the same about Peter?

Vanity, conceit and a single-minded pursuit of career goals, though, will only take you so far in this life. There comes a time when you must face the fact that everything is not about you.

It’s available from Amazon (which the cover above is linked to) or any other online retailer you like.

And … if you haven’t read We Came From Away yet …

Nora Houlihan’s children have been long gone from their family home in Newfoundland. Now, she is about to turn 100 and wants her children and grandchildren to find out what they’ve been missing on her beloved island. So, she arranges for her “come-from-away” family members to take a cross-island tour before her birthday party. By the time they are finished, they will be forever changed—and nothing in the family will ever be the same.

They say you can choose your friends, but you can’t choose your family. The question is this. If you could pick your family, would YOU choose yours?

pen

I already know what ‘serious’ writers are going to say: chicklit is ‘dumb’ by definition. I beg to differ; however, I also think that the derision isn’t entirely without foundation. My own reading and writing habits have led me to this conclusion. But let’s start in broader terms to address the question of whether writing and the literature that is the result has, overall, suffered from the dreaded ‘dumbing down.’ Many believe so.

In a 2015 piece by Stephen Carter, a Blomberg View columnist (he also happens to be both a law professor at Yale and a novelist), he quotes prominent science fiction writer Ursula K. Leguin who refers to what she sees as the twenty-first century formulaic creation of best sellers in this way: “The readability of many best sellers is much like the edibility of junk food…I believe that reading only packaged microwavable fiction ruins the taste, destabilizes the moral blood pressure, and makes the mind obese.”[1]

Of course she refers to the influence of Amazon and its well-pondered algorithm for determining best-seller status. Carter, however, isn’t buying it. He believes that perhaps a more important part of the issue is that readers’ tastes have changed; attention spans are shorter. Perhaps we have done it to ourselves. But others take a different view.

There is much grumbling in the ‘serious’ writers’ communities about the perceived negative impact of self-publishing on current literature; there is a significant sentiment (not held by all self-described serious writers, I might add) that it has been the proliferation of unedited self-published books that has had the most serious effect.

One online writer has suggested that “with self-publishing it seems like the editors have all disappeared. Ten or more books on recent New York Times Best Sellers List are there because the millions of fanboys and fangirls have bought their hero’s book…maybe the bar is set a bit too low.”[2]

So there seem to be two issues that people consider to be characteristics of ‘dumbed-down literature.’ The first one (and a big one for people like me who have taught writing over the years) is the issue of actual command of the language including grammar, syntax, spelling, word choice and all those things that our English teachers tried to inculcate in us over the years. The second one is the substance – or lack thereof – of the books that are popular today.

In my view, the truth is that quality writing can be practiced in any genre from literary fiction to popular erotica and everything in between. The topic seems secondary; if you’re passionate about writing it, you’re good at it, and your readers love it (or at least the first two if your readers haven’t found you yet), then I say write on. Even if what you write is derided by some as merely ‘chick lit.’

In general, the term chick lit means any literature that appeals mostly to women. So, what’s wrong with that? Does that make it dumb? If chick lit is dumb, then women are dumb by extension. Don’t say that to my face. But has even literature aimed at women been dumbed down? I have a personal hate on for many pieces of chick lit and it isn’t for the reasons you might think.

In my view, women are infantilized by their chick lit not so much by the stories or the writing, but byu the covers. Have you looked at any lately? I’ve been examining them as we contemplate the design of my new book which is women’s fiction. Is this really how women see themselves?

Well, I’m a smart woman and I write #litforintelligentchicks. In fact, I love to read chick lit, but I can’t get to your really great story if I feel infantilized by the dumb cover – whether it’s an illustration or a stock photo depicting a sweaty clinch and a few bits of a six-pack.

Okay, my rant is over. Back to the drawing board for that new cover.

Sources:

[1] Stephen L. Carter. June 11, 2015. Don’t Blame Amazon For Dumbing Down Literature. Bloomberg View. https://www.bloomberg.com/view/articles/2015-06-11/why-ursula-k-le-guin-s-amazon-pan-is-only-half-right

[2] Self-publishing and the Dumbing Down of Literature. http://www.dailykos.com/story/2015/11/21/1452940/-Self-Publishing-And-The-Dumbing-Down-Of-Literature

Tag: women’s fiction

Travel Inspires Writing – Again!

The dumbing down of ‘chick-lit’