Posted in Book marketing, Book promotion

Five Tips for Better Book Trailers

I don’t know about you, but I love a good book trailer. And by “good,” I don’t mean expensive. By “good,” I mean a book trailer that concisely captures my imagination for fiction or beckons me to learn more when it comes to nonfiction. In both cases, it has to be tight and visually stimulating.

Over the years, I’ve come to the conclusion that book trailers can accomplish a few things, despite the lack of hard evidence that they increase book sales in any significant way. But a great book trailer can be your book’s calling card to book bloggers, reviewers, agents and yes, even to some readers. But it has to be good.

Here are my five tips for better book trailers:

  1. Make sure you set out a specific goal for your book trailer. Trailers without purpose are not focused. Your goal should say what you want to realistically accomplish with these marketing tools and precisely who you want to reach. What and who are essential drivers for what you will put in that book trailer. See tip #2.
  2. Write a script. I cannot tell you how soul-sucking it is to see a book trailer that is clearly unscripted. These pieces of crap are meandering commercials that appear to have been crafted by children. (Scratch that: children these days can generally do better with an iPhone and iMovie.)
  3. Plan the visuals. You know what a script like this ought to look like, don’t you? Your script should resemble a documentary script more closely than a script for a movie. This kind of script layout means that you have two columns: the voice-over (if you’re using one―which I recommend) on one side and a column for visuals opposite it. The visuals should be carefully connected to the voice-over or on-screen titles or the script’s visual direction.
  4. Avoid anything campy or kitschy unless that’s what your book is. Too many writers (and their book trailer makers) seem to think that the more gimmicks they put in, the better. Not so. It can be very off-putting to viewers or even misleading if that approach doesn’t represent the book’s genre, story, voice and message.
  5. Keep it the right length. So, how long should a book trailer be? There are no hard and fast rules about this, but in my experience, I’ve found a kind of sweet spot. A 20-second trailer isn’t a trailer―it’s a teaser. A 4-minute trailer is bordering on a movie.

I suppose the cardinal rule for book trailers is the same as the cardinal rule for writing: never bore your readers (or, in this case, your viewers).

If you’re no expert in video production and editing, find someone who is. The final edit is what we’ll see and what we’ll use to judge your book― and you. Make a good first impression!

For some samples…

Posted in Book marketing, Writing books

An Amazon Marketing Surprise? At least a surprise to authors

A friend of mine whose blog “A Writer of History” is a must-read for anyone attempting historical fiction (or even for other types of fiction for that matter), shared what she discovered when doing marketing research on Amazon recently. M.K. Tod and I happened to be having lunch a week ago when she related to me this interesting (shocking?) discovery. It seems that Amazon isn’t a level playing field, after all, for all writers and all publishers. This shouldn’t come as a surprise to any of us, but, somehow, it does.

Read down and click on the last line to see the piece.

An Amazon discovery — A Writer of History

I suspect many of you will know this, but it was news to me. Two weeks ago, in a burst of marketing effort (actually planning), I looked at Amazon’s top sellers in women’s historical fiction. My purpose was to find comparables for a novel I plan to self publish, and from there to discover what […]

An Amazon discovery — A Writer of History
Posted in Book marketing, Book trailers, Fortune

Book Trailers: For fun or profit?

Clapper BoardIt happens every time I finish a book-length project. I begin to think about marketing the book to readers who might like/love/need/enjoy it. Of course if it’s a non-fiction book, I’ve given it a lot of thought up front because publishers these days want a fairly well-fleshed-out marketing plan from an author as part of the book proposal long before the book is even completed. If it’s a piece of fiction, I write what I write then think about marketing it after it’s published. I can’t help it; I’m a writer not a content creator! But, what about that marketing?

Well, it’s like this. There are lots of places these days that will purport to be the best places to get your book in front of readers; however, on closer inspection, the members are usually other wannabe writers trying to get their books in front of readers. It’s a bit of a vicious circle. But, if you have a book that takes off, good for you. The elements of a well-constructed book marketing plan may or may not be part of it. But, what precisely is included in that plan?

One of the elements often touted these days is the inclusion of a book trailer. What is a book trailer, you say? Glad you asked, because I love developing them – whether or not they are really useful marketing tools (more about that as we proceed).

I’ve written about book trailers before – almost every time I have a new one I can hardly wait to write about them – not because they are so wonderful, but because I think they are fun. Yes, that’s it – I think they’re fun.

As I defined them in a long-ago blog post, “…a book trailer is a short video clip that presents a small sample of a book in a similar format to that of a movie.” When I wrote that original post (Book trailers Part 1) and its follow-up (Book Trailers: What’s the Point?) way back in 2011, book trailers were very new. There was very little information on the impact they may or may not have on books sales, but what I did perceive at the time was this: quite apart from the unknown of whether or not someone would actually be inclined to buy a book based on seeing a trailer, how that trailer made its way onto someone’s computer screen would be paramount in finding out if it could be be an effective sales tool.

Fast-forward five years, and here we are still discussing the same issue. Again, I’ve been searching for data on the impact of book trailers.

There is little doubt that in the past five years online video in general has seen an incredible upsurge. That by itself, however, doesn’t bolster any data supporting the usefulness of the book trailer. According to one video trailer producer, “Readers are 64% more likely to purchase your book if they see a book trailer that effectively promotes your book. (Source: ComScore)” and “Visitors to your author website stay an average of 2 minutes longer than on author sites that do not use video. (Source: ComScore)”.[1] FYI: according to their web site ComScore is “a leading cross-platform measurement company that precisely measure audiences, brands and consumer behavior…”[2] Of course, MacLain reiterates the notion that distribution is key. You can have the most fantastic, well-planned and well-executed video but if no one knows it exists, its going to be for your eyes only.

Of course there are reasons you might want to skip the book trailer production all together. Marisol Dahl, writing on The Write Life Blog suggests that a bad book trailer is worse than no trailer at all, and further reiterates that it can be difficult to determine return on investment (and the investment can be massive).[3]

The truth is that most of those touting the value of book trailers are usually individuals and companies who actually produce trailers. Unless they have hard data, their promotion of book trailers as a sales tool is pretty self-serving. Book trailers certainly should be useful marketing tools if we just had a way to track their success after wide distribution.

I personally love planning and writing scripts for book trailers then giving that script to my trusty video developer (my husband) and letting him loose on the material. I keep them brief (certainly under two minutes, generally under a minute-and-a-half), and share them as widely as I can. So, if you’ve considered a book trailer I can give you several caveats as a writer for their production.

You probably want a book trailers if:

  1. You think it’s fun to have one;
  2. You can write a brief, tight script;
  3. You can give the potential reader a glimpse of the material without giving it all away;
  4. You can afford to produce one;
  5. You have somewhere to post it; and
  6. You have no illusions about how many sales it might garner.

If you can’t fulfil all of these, you might want to step away.

Anyway, I think they’re fun. If you a minute, here’s my latest trailer for my new medical thriller The Body Traders.

 

 

[1] Jerome MacLain as quoted in “Book Trailers And Using Video For Book Marketing” by Joanna Penn (March 2, 2015). http://www.thecreativepenn.com/2015/03/02/book-trailers/

[2] https://www.comscore.com/About-comScore

[3] Marison Dahl November 5, 2015. “Are Book Trailers a Marketing Must-Have?” http://thewritelife.com/are-book-trailers-a-marketing-must-have/