Posted in Publishing

How to Avoid Publishing Scams

For many people who’ve always dreamt of writing, one of the dreams is to see that writing in print (or, equally these days, in a digital format) to share it with the world. I remember the feeling in my early writing days of looking forward to having that physical book in my hand—of being able to share my writing with readers who might somehow be moved by it. And because that drive is so powerful, it can blind writers to situations that they should avoid.

With the advent of digital publishing, more and more scammers have come out of the woodwork. There is a plethora of cottage industries that have sprung up around writers, and it can be overwhelming when you’re just getting started. So, how can you avoid falling into a scammer’s clutches?

First, know this above all: If a “publisher” approaches you, this is not a legitimate publisher unless you’ve already had several bestsellers via traditional publishing contracts or have won a major (authentic) national or international writing award (not an award created by an organization for the purposes of making money). Publishers do not approach unknown authors. Now that we have that out of the way and your ego has been deflated, let’s look at a few other keys to avoiding scammers.

If a publisher offers you a contract and asks for a fee, they are not a traditional publisher. A traditional publisher will never ask you to pay to have your book published. This is what has traditionally been viewed as a vanity publisher. It can be argued that anyone who self-publishes pays the whole bill and thus is vanity publishing. However, the term is a pejorative one and refers to publishers masquerading as traditional publishers.

 If you want to vanity publish, by all means, go ahead. But just know that this is what you’re doing.

And what about literary agents? A literary agent contacting you out of the blue offering deals―either book publishing deals or sales of film rights―is not a legitimate literary agent. Just as traditional publishers don’t do this, neither do agents.

I regularly get emails from “agents” who are offering to take on a specific novel that was published some years ago and sell the film rights for me. And isn’t it tempting? Isn’t it a bit of a boost to a writer’s ego? Yes, but it’s illegitimate. All you have to do is take a deep dive into Google or your other favourite search engine to find out that this agent isn’t the kind you want to work with. Ever.

Agents these days have so many submissions that they do not ever go looking for clients unless you are already a legitimately bestselling writer. And by legitimately bestselling, I don’t mean that you finessed an Amazon logarithm to have your book a bestseller in a tiny, obscure niche.

And while we’re on the topic of literary agents, any agent who requests a reading fee or any fee beyond their percentage after signing is to be avoided at all costs. Agents who charge fees are barred from belonging to their professional associations for a reason. If an agent is making money from reading fees, this is their business model. They have no need to find a publisher for your book to make money. You do not want this literary agent.

 Another scam that you, as a writer, need to avoid relates to copyright. New writers are so ill-informed about copyright and so frightened of having their work ripped off that this is a scam that they often fall victim to. If someone offers to obtain the copyright for your book for a fee, just say no.

New writers often think that people are going to steal their work or even their ideas. They seem to believe that they need to do something proactive about making sure they own the copyright to their work. The truth is that the minute you create a piece of work, the copyright is vested in you as the creator. You do not need to register the copyright. Believe it or not, no one is going to steal your book, but if they steal an idea, you’re out of luck. Ideas are not subject to copyright. (See my previous post about copyright.)

If you’re writing a screenplay, that’s a slightly different beast since there is so much more money involved. You can copyright your work by sealing it in an envelope and mailing it to yourself. When it arrives, file it without opening it. If there is ever a dispute, you will have it with a date-stamped mailing label.

A bonus, related tip: never buy an ISBN from a third party. If you live in a country where you have to pay for an ISBN (we don’t have to here in Canada), get it yourself.

Finally, if anyone —ANYONE—offers sales guarantees, avoid them like the plague. One thing we all know to be true about book publishing is that there are no guarantees. No one can predict sales―not publishers of any stripe, not agents and certainly not writers.

If you think a scammer might have contacted you, visit the Authors Guild scam page[1] at authorsguild.org and search for a scam alert.

And don’t forget to do your own due diligence. Search online for the name of the company or the part of the email address that looks like a legitimate business name. It’s amazing what you can find.     


[1] https://authorsguild.org/resource/publishing-scam-alerts/

Posted in Nonfiction Writing

Writing Prescriptive Nonfiction

I started my writing career as a health and medical writer for magazines back in the old days when they were in print and the process for querying took months via snail mail. I then morphed into writing and co-writing books on the same subjects. Many (if not most) of my nonfiction books have been prescriptive nonfiction. I had a brief foray into creative nonfiction when I wrote a memoir, but until I started writing fiction, I spent most of my time honing my writing shops in the world of prescriptive nonfiction books.

A couple of weeks ago, I posted a video on WRITE. FIX. REPEAT. where I tackled five tips for writing creative nonfiction. (You can watch it here.) This week, I’m tackling prescriptive nonfiction, whose techniques are also valuable for content creators, PR writers, and anyone who wants to teach someone something.

The problem I’ve seen over the years is that many writers don’t know the difference between narrative and prescriptive nonfiction and often muddle them together, resulting in a mishmash of writing that benefits no one—not even the writer.

So, this week, I have five tips for prescriptive nonfiction based on writing almost a dozen trade and textbooks in this genre.  

Posted in Book launches, Fiction Writing, Writing books

Travel Inspires Writing – Again!

It’s not the first time this has happened, and it’s not likely to be the last. I find myself on an absorbing trip (because I love to travel and even write about it), and the next thing I know, the experience and the locale inspire a story. In my view, travel is one of the most inspiring experiences for writers. But that’s just me.

Two summers ago, a ten-day cross-island trip in Newfoundland inspired a book that seems to have started a new series. We Came From Away: That Summer on “The Rock” was inspired by a combination of that trip experience and the fact that my mother turned 100 years old that year. (She’s now 102!). Then, last year, my husband and I spent a month travelling in Brazil on a cruise up the Brazilian coast, into the Amazon River, and onto Miami. It seemed that the characters in We CAme From Away hadn’t finished with me yet. Now there’s a sequel: Meet Me in Miami.

February 1 seems like a great day for some armchair travel to a tropical location, doesn’t it? So, I’m inviting you along for some of that travel. Here’s the new book launching today.

What travels from your past might inspire a story … and a book?

Here’s what it’s about:

Life may not offer do-overs, but it might offer second chances.

Dr. Claire Barrett has it all. At least it seems that way to everyone but Claire. A successful doctor with two almost grown and successful children, an international reputation as one of the world’s finest pediatric surgeons, Claire at age fifty is as beautiful, stylish and driven as ever. She prides herself in making the best decisions to have gotten her where she is today. She did it all herself and from her home base in St. John’s, Newfoundland. But there is one decision that rankles. She should never have allowed Peter O’Brien to get away. She should never have agreed to the divorce. Was it her only mistake? Now she has a plan to fix that. She will win him back.

Eliza Houlihan Cohen, a New Yorker by way of Canada’s east coast, is a successful cookbook author. After years of putting up with her philandering husband Jake and his whining mother, she has finally broken free. And now that she’s met Dr. Peter O’Brien, she wonders if she might take another chance on love.

Eliza hates Miami, but when Peter asks her to take a cruise with him, ending in Miami, and she asks her daughter Izzy to meet her there for a holiday, Eliza decides she can cope. By the time her cruise through the Amazon reaches Miami, Eliza will wish she had never laid eyes on Peter’s ex-wife, Claire. The question is, though, will she feel the same about Peter?

Vanity, conceit and a single-minded pursuit of career goals, though, will only take you so far in this life. There comes a time when you must face the fact that everything is not about you.


It’s available from Amazon (which the cover above is linked to) or any other online retailer you like.

And … if you haven’t read We Came From Away yet …

Nora Houlihan’s children have been long gone from their family home in Newfoundland. Now, she is about to turn 100 and wants her children and grandchildren to find out what they’ve been missing on her beloved island. So, she arranges for her “come-from-away” family members to take a cross-island tour before her birthday party. By the time they are finished, they will be forever changed—and nothing in the family will ever be the same.

They say you can choose your friends, but you can’t choose your family. The question is this. If you could pick your family, would YOU choose yours?