Posted in Backstory, Electronic Publishing, Publishing, Self-Publishing, Traditional Publishing, Writing, Writing books

Helping Writers Means Telling the Truth


Anyone who knows me knows that I was an accidental academic. When I took my first part-time university teaching position so many years ago, I had no intention of making it permanent. I didn’t see myself starting off as a lowly assistant professor making my way up the academic ladder to associate professor and finally the ultimate academic goal: Full Professor. But that’s what happened. You know the old saying… “If you want to make God laugh, tell her your plans…” Well, God must be laughing. Anyway, that happened, but that part of my life is also over. And I find myself back where it all began: teaching writing.

Yes, that first course I taught all those years ago was a writing course. You see, I had already begun to carve out a path for myself as a writer. I had published numerous magazine articles mostly in my specialty area of health and medicine, and I had also already published my first book – also in my specialty area. So, teaching writing seemed natural to me. And it still does. However, my venue has changed.

This past year I finally pulled together thirty years of writing and publishing experience to share it with the world. I thought I’d be able to be a mentor to newbie writers just starting out. But something happened.

In the intervening years between when I first established myself as a writer, and today, the writing and publishing industry has undergone nothing short of a transformation. Everyone can be published today. No one seems to need a publisher. Or even an editor. And so many writers are part of an online writing community that oozes self-congratulation and disingenuous positivity about everyone’s writing – all because you never know what someone else might say about your writing. You pat my back and I’ll pat yours, or something like that.

The upshot of this whole project was a book that seeks not only to provide a bit of mentoring to new writers but also to provide a foundation in reality and to disabuse writers these days of some of the myths about fame and fortune as a writer. The book is Permission to Write: How to Write a Book and Other Myths from the Real World of Writing and Publishing. I’ve also decided to share additional materials through the medium of video.

Thus, I’ve begun a 10-part series to accompany the book. The first episode “Want to be a rich and famous writer? Don’t give up your day job” is already up and running.

Today episode number two launches: “Don’t write that book! Or at least don’t publish it.”

So you can see that I don’t necessarily paint a rosy picture for wannabe writers. However, serious wannabe writers will get through them and still want to write that book. Those are the writers I aim to help.

The videos are posted on the Moonlight Press YouTube channel. Let your friends who “wanna write a book” know. 

Posted in Co-authors, Writing Nonfiction

Collaborative writing: Advice for when a writing partner makes sense

I can hardly believe that it’s been eight years since I first wrote about my adventures in writing with a partner. As I said at the time, “I don’t play well with others.” And that has not changed. That being said, I have, indeed, collaborated on four books in my distant past, and I’m doing it once more. Recently someone asked us (my writing partner and me) how our system works. So, how does writing with a partner work? I don’t know how it is for others, but here’s what I know about it from my own experience.

First a bit of backstory.

I have always considered writing to be a solitary activity. In fact, that’s the way I like it. Perhaps it’s even clearer to say that it’s one of the things that I like most about writing. Through all of those years when I was a university professor, I observed with growing horror, the number of academics, whose very livelihood depended on their ability to publish (or perish – it’s true), who were singularly unable to pen anything on their own. In fact, it occurred to me on more than one occasion when I sat on peer review committees, reviewing others’ work, that we had already promoted someone else based on the exact same publications since both names appeared on all of them. And sometimes there was a lengthy list of authors. What this really means is that many of them wrote not a single word. They may have contributed something to the data collection, but there was certainly no writing involved. Remember publish or perish? There is nothing there that says “write or perish.” There’s a difference. Then I came along.

At this point in my writing life – post-academic career – I am proud to say that every single article and book that formed part of my upward academic ladder has only one author – me. That is, except for those four books I mentioned (which my peers at the university probably largely ignored anyway) that I wrote with one other author. That author happens to be my husband. Which is probably why that person asked us about our writing process. In fact, I believe he might have added, somewhat incredulously, “And you’re still married?” Well, yes, and very happily, I might add.

Back in 2011 when I first wrote about our collaborations, I said this: “…There are good reasons to collaborate and publish a co-authored book – such as when the knowledge and skills of more than just you are needed…” And this reason still holds true. But now I have another reason.

I’m currently collaborating on a book with my same co-writer (my husband) because there was a book he wanted to write, and he spent 45 years working as a physician while I wrote to my heart’s content. This means that his expertise in medicine coupled with my “expertise” as a writer would be the combination needed for him to write the book he has always wanted to do. Am I ghosting it for him? Not really, but I have decided that there is no need for my name to be on this cover. It’s his book.

Because it’s his book and not our book, I have had to take a slightly different approach to the process. I have been his mentor and editor, but I have to try to ensure that the ideas that are finally on the page are his, not mine. That might be easy for some people who have not written in this area before, but once upon a time, I earned some of my income as a medical writer (I have a graduate degree in a medical-communication-related discipline). So, we had come up with a process.

Like puzzle pieces, each co-author’s contribution has to fit the other co-author’s contribution to the process and content.

We began with a very detailed book proposal. I’ve been selling non-fiction based solely on proposal ever since I’ve been writing (my fiction is another story all together). This means that before we even started, we had worked through what would be in the book, how it would be organized, what approach we would take and what he wanted the style and voice to sound like. This was my blueprint.

Then, as we moved into the writing process, I fleshed out the chapters, he reviewed each one as we went along, then I took that review back and reworked each chapter. We moved through the whole book this way, with me conducting mini-interviews with him along the way to capture his experiences in specific areas, and so that it would have his voice. Once this first draft was completed, we started the whole process again. After the third iteration, we were ready for external copy-edit. And that’s where the book is now.

What would my advice be for collaborative writing? Here it is.

  1. Choose your writing partner carefully. It needs to be someone you respect and are compatible with.
  2. Ensure that you are prepared to take criticism as you move through the process.
  3. Don’t be afraid of giving constructive criticism.
  4. Be prepared to disagree.
  5. Be prepared to compromise.
  6. Be prepared to commit to clearing up each disagreement as you work. Don’t let those disagreements pile up.
  7. Write from a collaborative outline.
  8. Find a rhythm of writing/reviewing/editing that you can both agree on up front.
  9. Use this process to learn something about your own writing habits.
  10. Have a drink together on a regular basis to chew over aspects of the book that you can’t always figure out while sitting in an office in front of a computer.

I am currently being accused by my co-writer of pushing hard at this stage as we approach the end of the process so that I can return to my novel. I can’t argue with that!

The book is being copy-edited as we speak and has a September pub date.  We’ll be having a glass of our favourite champagne on that day!

Posted in Writing, Writing books

Fact & Fiction: The perils & pleasures of writing in multiple genres

I am a hybrid writer – in more ways than one. These days the term hybrid – when applied to writers – often refers to those who have published via the traditional publishing route as well as taken matters into their own hands and self-published. That’s a recent moniker. I’ve been a hybrid writer for years – I write across genres and have been doing this almost since the beginning. It has its ups and its downs.CCI04232015

I started my writing career as a medical writer. Skills honed in that genre took me into medical communication which morphed into communication in general – most of my distant past work has been writing about health and corporate communication.

But, I’m a writer. I am not a content creator. I am not a dabbler. To me this means that I can use my skills to write anything that takes my fancy. With a secret adolescent desire to be a novelist percolating in my adult brain, I decided to move into creative non-fiction and wrote a memoir. I then realized that my extensive experience in doing background research on a variety of subjects could be put to good use if I tried my hand at writing in a genre that I loved to read: historical fiction.

As it turns out, meticulous research skills, honed in the areas of non-fiction, have been enormously useful to me in moving into historical fiction. Story-telling is also a strength that many of us have – it’s a skill that is important both to non-fiction (creative or otherwise) as well as to fiction writers.

option-1Another way I think about the concept of “writing across genres” is the notion that there are discrete categories of writing and to create a mash-up, to use the current parlance, is to create a cross-genre genre. Make sense?

My interests in strong female characters, whether they are real people whose lives I’m writing about or historical figures woven into the fabric of a novel, also led me to an interest in contemporary women’s fiction. But traditional chick lit, with all of that entertaining silliness (not to mention their dumb covers) isn’t really my strong point, so I mashed up my interest in travel writing and chick lit to write a novel that is a bit chick lit that also presupposes a certain level of intelligence in the reader – and that includes a serious dose of a foreign setting that was researched thoroughly by both visiting the place and doing background digging. So what have I learned?

I have learned that there is a significant degree of pleasure for me to write in areas that use both my talents and my interests. I truly believe that this cross-writing has improved my writing overall. But it comes at something of a price – at least it is a price if you believe what it seems most everyone else is writing online about changing genres.2013 raven front cover copy

The loudest argument against this kind of movement seems to come from those for whom the main objective of writing is to sell books rather than to write them. I wonder what Ernest Hemingway, Leo Tolstoy, Daphne DuMaurier (my personal favourite) or even J.K. Rowling would have written if they had focused on what they thought readers wanted rather than on what they were compelled to write? Maybe nothing.

The new digital universe means that everyone of us can be a “published” writer. But the truth is that no matter what motivates us to write, most (almost all) will never make a living from that effort. Just accept that and keep writing.

As far as I’m concerned, focusing on continually improving your writing and pursuing the kind of writing that you want, regardless of how many different genres you choose, are the two elements of a happy writer. If the work is meant to become wildly successful, with a little effort in promoting to interested readers (no other desperate writers) it may indeed be successful. Even that “50 Shades of…” writer didn’t set out to please readers first. She set out to please herself.

Here’s to writers pleasing themselves!