Posted in Publishing

How to Avoid Publishing Scams

For many people who’ve always dreamt of writing, one of the dreams is to see that writing in print (or, equally these days, in a digital format) to share it with the world. I remember the feeling in my early writing days of looking forward to having that physical book in my hand—of being able to share my writing with readers who might somehow be moved by it. And because that drive is so powerful, it can blind writers to situations that they should avoid.

With the advent of digital publishing, more and more scammers have come out of the woodwork. There is a plethora of cottage industries that have sprung up around writers, and it can be overwhelming when you’re just getting started. So, how can you avoid falling into a scammer’s clutches?

First, know this above all: If a “publisher” approaches you, this is not a legitimate publisher unless you’ve already had several bestsellers via traditional publishing contracts or have won a major (authentic) national or international writing award (not an award created by an organization for the purposes of making money). Publishers do not approach unknown authors. Now that we have that out of the way and your ego has been deflated, let’s look at a few other keys to avoiding scammers.

If a publisher offers you a contract and asks for a fee, they are not a traditional publisher. A traditional publisher will never ask you to pay to have your book published. This is what has traditionally been viewed as a vanity publisher. It can be argued that anyone who self-publishes pays the whole bill and thus is vanity publishing. However, the term is a pejorative one and refers to publishers masquerading as traditional publishers.

 If you want to vanity publish, by all means, go ahead. But just know that this is what you’re doing.

And what about literary agents? A literary agent contacting you out of the blue offering deals―either book publishing deals or sales of film rights―is not a legitimate literary agent. Just as traditional publishers don’t do this, neither do agents.

I regularly get emails from “agents” who are offering to take on a specific novel that was published some years ago and sell the film rights for me. And isn’t it tempting? Isn’t it a bit of a boost to a writer’s ego? Yes, but it’s illegitimate. All you have to do is take a deep dive into Google or your other favourite search engine to find out that this agent isn’t the kind you want to work with. Ever.

Agents these days have so many submissions that they do not ever go looking for clients unless you are already a legitimately bestselling writer. And by legitimately bestselling, I don’t mean that you finessed an Amazon logarithm to have your book a bestseller in a tiny, obscure niche.

And while we’re on the topic of literary agents, any agent who requests a reading fee or any fee beyond their percentage after signing is to be avoided at all costs. Agents who charge fees are barred from belonging to their professional associations for a reason. If an agent is making money from reading fees, this is their business model. They have no need to find a publisher for your book to make money. You do not want this literary agent.

 Another scam that you, as a writer, need to avoid relates to copyright. New writers are so ill-informed about copyright and so frightened of having their work ripped off that this is a scam that they often fall victim to. If someone offers to obtain the copyright for your book for a fee, just say no.

New writers often think that people are going to steal their work or even their ideas. They seem to believe that they need to do something proactive about making sure they own the copyright to their work. The truth is that the minute you create a piece of work, the copyright is vested in you as the creator. You do not need to register the copyright. Believe it or not, no one is going to steal your book, but if they steal an idea, you’re out of luck. Ideas are not subject to copyright. (See my previous post about copyright.)

If you’re writing a screenplay, that’s a slightly different beast since there is so much more money involved. You can copyright your work by sealing it in an envelope and mailing it to yourself. When it arrives, file it without opening it. If there is ever a dispute, you will have it with a date-stamped mailing label.

A bonus, related tip: never buy an ISBN from a third party. If you live in a country where you have to pay for an ISBN (we don’t have to here in Canada), get it yourself.

Finally, if anyone —ANYONE—offers sales guarantees, avoid them like the plague. One thing we all know to be true about book publishing is that there are no guarantees. No one can predict sales―not publishers of any stripe, not agents and certainly not writers.

If you think a scammer might have contacted you, visit the Authors Guild scam page[1] at authorsguild.org and search for a scam alert.

And don’t forget to do your own due diligence. Search online for the name of the company or the part of the email address that looks like a legitimate business name. It’s amazing what you can find.     


[1] https://authorsguild.org/resource/publishing-scam-alerts/

Posted in Pitching books, Writing books

Writing Killer Query Letters

If you’ve been writing for even a short time, you’ve probably already heard the term “query letter.” If not, let me introduce you to one of the most important tools in a writer’s toolbox.

If you’re a writer seeking an agent or publisher for a book or a freelance writer trying to place magazine or blog pieces in publications, you’ll have to learn to write a query letter. This letter has a specific objective: to interest the recipient in your work sufficiently for them to want to see more of it.

A well-crafted query letter is crucial because it often serves as the first impression of your manuscript and you as an author. Since agents and editors receive numerous queries every week, you’re going to have to have a letter that makes you stand out. Do you know how to write a compelling, professional query? I’ve been writing query letters for almost four decades, and in this episode of WRITE. FIX. REPEAT. I’m sharing five tips to help you write a killer one.

Posted in Journals, Writing, Writing craft

5 tips to make better use of your journals and notebooks

You have journals, right? Writers have journals.

The authors of an interesting article in The Guardian newspaper in 2018 about the inner workings of writers’ journals said this: “Note-taking is not just a method for remembering. It is a way a writer tells himself, or herself, a story―and this becomes a process of life, a mode of being.”[1]

But this story-to-self is unpublishable. And that’s where we begin.

Your notebooks and journals serve several purposes, but one of them is NOT to be published. Ever. They are for your eyes only. That’s the beauty of them. They are probably also the only time you write long-hand these days. I know a few writers write without a computer, but that’s not who I’m talking to here. I believe that a writer needs a pen-and-paper journal or two (or three).

I have five tips to help you make better use of your notebooks and journals. (Skip to the bottom to see me talk about these tips).

1 – Choose your writing instrument carefully.

Your pen (or pencil if you prefer) should glide across the paper. If it doesn’t, you won’t write as much or as often. There should be no scratching at all.

2 – Use it every day.

I mean it. Every day. Without fail. (well, almost veery day) Write something. Try Natalie Goldberg’s approach from her wonderful book Writing Down the Bones for writing practice. Start with “I remember…” and keep your hand moving for 10 minutes.

3 – Turn it into your artistic ritual.

Twyla Tharp’s book The Creative Habit (which I’ve mentioner before) has a wonderful section on artist’s rituals. For example, composer Igor Stravinsky had to sit at his piano and play a Bach fugue every morning before he began work. Julia Cameron, author of the now-classic The Artist’s Way, talks about “morning pages” for writers: a ritual that gets the creative mind in the mood. Make your daily journal writing your own personal ritual.  

4 – Have more than one.

This is my approach. I have one for gathering snippets. One for each project I’m working on or thinking about. A “big-idea” book. I reach for one or the other several times of day as I sit at my computer when I see, hear or think of ideas don’t belong in that particular manuscript.

5 – Regularly review your journals to mine them for inspiration.

Your jotted notes that capture your thoughts and observations are a treasure trove of ideas. Think of them as a treasure chest you can open whenever you want, whenever you’re suffering from writer’s block, whenever you’re looking for new ideas. Remember that you were impressed enough by the thought to write it down. Why did it impress you? Go back and figure it out.

Is your notebook a diary? It can be, but for most writers, it doesn’t seem to be. Use it to try things and remember things. But just never publish it. And remember, it is the one piece of writing you’ll do that is unhackable!


[1]

‘Messy attics of the mind’: what’s inside a writer’s notebook? https://www.theguardian.com/books/2018/apr/06/tales-masters-notebooks-stories-henry-james