Posted in Cross-writing, Genres, Writing books, Writing craft

Writing across genres

So many genres...so little time.

It may come as something of a surprise to students I’ve had over the years – those who have have sat in my classes to learn about communication ethics or strategy – but I began my unexpected academic career as a writing teacher.  I never intended to be a university professor.

I had always been interested in teaching and thought that it was probably one of my strengths.  I had done it for several years in a previous incarnation – I taught anatomy & physiology, ethics and human sexuality (!) to nursing students before my career evolved into health and medical communication, leading eventually to writing books and teaching in the area of communication (public relations to be specific).  But I went to the university initially as a writer who could teach writing.

The first course I taught (before I ever considered teaching full-time) was called “Print Media.”  There is no such course with that title any longer, but its descendent “Text-Based Media” comes close.  I also taught news and feature writing and persuasive writing after the then-chairman of the department talked me into applying for a full-time job.  But I never intended to stay.

That was 23 years ago!  So, what’s the lesson here?

For me, it means that our skill sets can cross many disciplines – and in writing can cross different genres.  But writing across genres has two different meanings.  First, let’s talk about individual writers writing across genres; then we’ll talk about those genres that cross genres themselves.

When I was trying to create copy for my web site, it occurred to me that this was, in fact the hallmark of my writing: I am a bit of a switch-hitter.  As I say on my home page

…Goethe is said to have opined that every author in some way portrays himself [sic] in his works, even if it be against his [sic] will. For someone who writes in a variety of genres, this is either a symptom of some kind of mental confusion – or perhaps the hallmark of an interesting personality. I’d like to think that, in this case, it’s the latter…

The bottom line is that I started my writing career as a medical writer.  Skills honed there took me into medical communication which morphed into communication in general – most of my past work has been writing about health and corporate  communication.  But, I’m a writer.  To me that means that I can use my skills to write anything that takes my fancy.  I decided to move into creative non-fiction and wrote my memoir, then took my research skills into an area that I love to read – historical fiction.

In my view, writers, like everyone else, have individual strengths – and my strengths are probably not the same as yours.  I think it’s important to know what those strengths are and see how you can use them across genres.  For example, my meticulous research skills, honed in the areas of non-fiction, have been enormously useful to me in moving into historical fiction. Story-telling is also a strength that many of us have – it’s a skill that is important both to non-fiction (creative or otherwise) as well as to fiction writers.

The second way that you can think about the concept of “writing across genres” is the notion that there are discrete categories of writing, and to create  a mash-up, to use the current parlance, is to create a cross-genre genre.  Make sense?

Here’s my example: I have a secret – I sometimes read chick lit and I’m not apologizing for it.  Since I like a bit of escapist reading from time to time, and only if it’s well-written like some chick lit is, I am also interested in creating some of my own.  But I don’t want to be formulaic.  So, I’ve taken my interest in travel and travel writing and put it together with my interest in chick lit and I’m writing a travel chick lit book.  Is this a cross-genre?  Maybe, but who’s to say?  Who is the arbiter of what is and is not a genre?  And who says that because my book is funny, with a young, modern woman as the protagonist, that it’s chick lit anyway?  Maybe it’s just women’s literature – ooh, that sounds a lot better for a university prof-type, doesn’t it?

In any case, cheers to coming up with your own genres and writing whatever moves you.

Posted in Ideas generation, Journals, Memoir, Writing craft

Keeping journals

What kind of book notes & ideas reside in this journal? Hmm...

Do you keep a journal?  If you’re a writer, perhaps you ought to consider it.  There is hardly a teacher of writing craft around who doesn’t encourage students to keep journals.  It is said that,  “Journals have been the secret weapon for writers from Allen Ginsburg to Virginia Woolf to Victor Hugo.”  So, there are aspects of a writer’s journal that might bear discussion.

First, let me edit my original question to make it more specific to me and my own backstory.  Do you keep journals?  That “s” at the end of the word is key for me since I keep multiple journals.  In fact, I’m a tad addicted to the notion of journals – and I have journals that are pen and paper ones, as well as journals that reside on my computer.  As you can see, I’m not a purist either way.

Virginia Woolf is quoted as having said, “The habit of writing for my eye only is good practice,” and that sums up the first reason for keeping a journal: it gives you a chance to work on your writing without the self-consciousness of knowing it will be read by others.  Although this might, at first glance, seem like that cathartic kind of journaling that has become the ubiquitous habit of the navel-gazers among us, it’s really more than that. This kind of journaling is really an exercise that lets you try out different turns of phrase, that lets your mind wander to ideas deeply buried in your sub-conscious (see the comments on last week’s discussion), and that is a safe place for writing that you have no intention of showing anyone else.  And this kind of journaling can be semi-structured.

Writer and teacher Natalie Goldberg’s approach to journaling is one that I’ve come back to year after year.  In her first writing book (which I highly  recommend) Writing Down the Bones (originally published in 1986 and re-released in 2010), she suggests that you take pen to paper – something that  she’s adamant about – and place your pen on the paper, never lifting it for your ten-minute writing practice each day. Her rule is this: keep your hand moving.  Begin with the words “I remember…” or even “I don’t remember…” (She has other suggestions but you’ll have to read her book to get those ones); and never stop or lift the pen as it moves across the page.  Every time you get stuck, write down “I remember…” again and keep going for the full ten minutes.  It’s a very liberating process.

There are other reasons other than practice, though, for keeping journals.  One of my primary reasons is so that I have places to keep ideas that come to me.  These ideas can be thoughts, clippings, photos etc.  But I also have general idea journals and a special journal for every project I’m working on.  Okay, I do have lots of journals, but I’d wager a guess that I’m not the only one!

One of the journals I kept for many years was a bit like a diary – but it focused
on only one of the general kinds of experiences in my life.  It chronicled my experience as a ballet mom.  That journal became the basis for my memoir Another Pointe of View: The Life and Times of a Ballet Mom.  I was able to capture detailed memories that would have faded into themists of my mind, and that would have been altered by subsequent experiences.  That journal was critical to my ability to write a story that might resonate with other mothers of gifted children.

Right now, I have so many journals on the go.  I have two that hold notes on two separate book projects.  I have one that is a kind of general catch-all for ideas.  I have a travel journal (this is a new idea – it’s time to capture details of our travels).  I have one that keeps notes about a book that my husband and I will write in our retirement to add to the four that we wrote some years ago.  I have two new ones that have not found their purpose yet, but they will.  And I have one for this blog.  I also have two computer-based journals and one on my iPad.

The very best part of my journals, though, is when I look into one of them and what I read becomes part of something larger – something that I’ll write that
someone else might read and enjoy – or at least learn from.

Posted in Creativity, creativity generators, Ideas generation

When inspiration strikes

Finding inspiration from a sunset somewhere over the North Atlantic, way out at sea

I’m just back from a summer vacation that has engendered seething jealousy from friends and colleagues alike.  The jealousy stems in part from what several have called its “inspiration” value.  And based on the story I told you last time, I should have my next book completely outlined with loads of snippets of narrative and dialogue in my little purple Moleskine notebook.

Inspiration it was – but I’m not quite ready to write yet – historical fiction requires more than an inspirational story line – it takes significant and detailed research.  We’ll get to that research process, but today I am fixated on the notion of inspiration.

In medical terms, inspiration means breathing in ad breathing out.  In a way, artistic inspiration is the same.  The writer (or choreographer, or painter or even corporate  strategist for that matter) has a sudden burst of creativity – the genesis of that moment might not even be discernable at the time.  We don’t always know the source of our inspiration in the moment.  We know only that something has triggered action.  So in a way, it’s like breathing in and breathing out – the creative fodder is breathed in, and the creative output is breathed out. Over the years, however, various creative individuals have had differing takes on just what it means to be inspired.

Leonard Bernstein said this: “Inspiration is wonderful when it happens, but the writer must develop an approach for the rest of the time…The wait is simply too long.”  Lesson 1: Don’t just sit back and wait for the muse to strike. Find ways to seek inspiration in the meantime.  I found this writer’s blog entry that has a laundry list of things to do to fill that gap between sudden bursts of creativity.

Picasso’s approach to the creative process is echoed by many other artists: “Inspiration exists,” he once said, “but it has to find us working.”  Lesson 2: Just get down to work.  Write about anything around you and eventually, the creative muse will strike and you’ll be inspired either to trash everything or to use it in new and innovative ways.

A glass of champagne aboard the Queen Mary 2 is an inspiration in itself!

American businessman Nolan Bushnell has been quoted as saying that “the ultimate inspiration is the deadline.”  Lesson 3: Set deadlines and stick to them.  Better yet, have someone else set them for you.  Try this:  tell your significant other or someone whose feedback on your writing you actually appreciate, and tell him or her that you’ll have a few chapters to be read in two weeks.  Even that kind of a deadline is inspirational.  Then, when you have a deadline from a publisher, you’ll know how to seek inspiration from knowing it has to get done.

So, here’s what I’m up to: I’m looking at my vacation photos and seeing what stories they hold for me.  I’m writing about a number of things in several different genres. I’m doing research on two new ideas.  I’ve told my husband that he’ll have a few more chapters for him to read in two weeks.